{"id":18482,"date":"2024-07-10T10:42:49","date_gmt":"2024-07-10T01:42:49","guid":{"rendered":"https:\/\/sdgs.kyushu-u.ac.jp\/?p=18482"},"modified":"2024-07-16T10:43:56","modified_gmt":"2024-07-16T01:43:56","slug":"%e3%80%907-21%e3%80%91music-and-the-non-human-concert-3-sho","status":"publish","type":"post","link":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/18482","title":{"rendered":"\u30107\/21\u3011Music and the Non-Human Concert 3 \u2013 Sh\u014d"},"content":{"rendered":"
\n
In the third edition of ‘Music and the Non-Human’, we present a performance using the sh\u014d. This instrument is said to have originated from an ancient Chinese mythological goddess who imitated the cry and shape of a phoenix. It was introduced to Japan\u00a0around the 8th century and has retained its form to the present day. The performer, Fabio Rambelli, teaches at the University of California, Santa Barbara, and his current research focuses on the history of Gagaku philosophy.<\/span><\/div>\n

\"\"<\/p>\n<\/div>\n

The first half of the programme will feature classical gagaku pieces such as “Koshiden Gaku” and “Jororo”, while the second half will feature contemporary pieces such as \u201cHour of the Monkey” from Daryl Jamieson’s \u201cDescant 1″, John Cage’s “One9”, and the traditional Afro-Brazilian song “Ogunde”. This will be a unique opportunity to experience the sound and range of the sh\u014d up close and personal.<\/p>\n

Details<\/h4>\n
    \n
  1. Target\uff1a
    \nGeneral, High school students, Current students and staff, Others<\/li>\n
  2. Date & Time\uff1a
    \n2024.07.21 [Sun] 16:00 \u2013 19:00<\/li>\n
  3. Venue name\uff1a
    \nRecording Studio, Acoustic Research Center, Ohashi Campus, Kyushu University<\/li>\n
  4. Venue address\uff1a
    \n4-ch\u014dme-9-1 Shiobaru, Minami Ward, Fukuoka \u2605MAP<\/a><\/li>\n
  5. Seating capacity\uff1a
    \n40 people, in order of arrival<\/li>\n
  6. Participation fee\uff1a
    \nFree of charge\u3000\u203b All tickets for this event are free. All customers are asked to register via peatix.<\/li>\n<\/ol>\n

    Program<\/h4>\n

    First part : the classical Gagaku repertory
    \nHy\u014dj\u014d no ch\u014dshi
    \nBairo
    \nTaishikich\u014d no ny\u016bj\u014d
    \nEtenraku<\/p>\n

    Second part : contemporary pieces
    \nDaryl Jamieson : ‘Hour of the Monkey’ from Descants 1 (2020)
    \nRiccardo Vaglini : Lettera alla madre (1991)
    \nJohn Cage : One9 (1991)
    \nTraditional Afro-Brazilian song (arr. by John Coltrane) : Ogunde (1967)<\/p>\n

    Performer
    \nFabio Rambelli (sh\u014d)
    \nFabio Rambelli is a professor of Japanese religions and cultural history at the University of California, Santa Barbara. He has published extensively on semiotics, materiality, and ritual systems in Esoteric Buddhism and Shinto, with special focus on the metahuman dimension in Japanese religious history. He is currently working on the intellectual history of Gagaku. He plays the sh\u014d and the u (both the classical repertory of Gagaku and contemporary music for those instruments); he has studied with Maestro Bunno Hideaki and Maestro Manabe Naoyuki. His musical CDs include Pearls (2023) with his duo Neo Arch\u0113 (sh\u014d+gaku-biwa), New Heritage (with his trio ry\u016bteki+hichiriki+sh\u014d, 2023), and The Turning Point (sh\u014d+drums, 2024), an exploration of the possibilities of the sh\u014d in a free-jazz context (all published by Edgetone Records).<\/p>\n

    Registration method<\/h4>\n

    Advanced registration required
    \n[Online]
    \n*All tickets for this event are free. All customers are asked to register via peatix.
    \n    https:\/\/nonhumnmusic3.peatix.com<\/a><\/p>\n

    Registration period<\/h4>\n

    2024.07.07[Sun]\u20132024.07.21[Sun]<\/p>\n

    Inquiries<\/h4>\n

    Name: Daryl Jamieson
    \nTEL: 0925534546
    \nMail: jamieson\u2605design.kyushu-u.ac.jp
    \nPlease replace \u2605 with @
    \nAddress: 4-ch\u014dme-9-1 Shiobaru, Minami Ward, Fukuoka<\/p>\n

    Website<\/h4>\n

    https:\/\/nonhumnmusic3.peatix.com<\/a>
    \n    Kyushu University HP<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"In the third edition of ‘Music and the Non-Human’, we present a performance using the sh\u014d. This instrument is said to have originated from an ancient Chinese mythological goddess who imitated the cry and shape of a phoenix. It was introduced to Japan\u00a0around the 8th century and has retained its form to the present day. […]","protected":false},"author":7,"featured_media":18337,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,31],"tags":[44],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/posts\/18482"}],"collection":[{"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/comments?post=18482"}],"version-history":[{"count":16,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/posts\/18482\/revisions"}],"predecessor-version":[{"id":18499,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/posts\/18482\/revisions\/18499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/media\/18337"}],"wp:attachment":[{"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/media?parent=18482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/categories?post=18482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sdgs.kyushu-u.ac.jp\/en\/wp-json\/wp\/v2\/tags?post=18482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}